in the grass 8:45

in the grass 08:54 familiar shadows Abstracting the Earth, in the grass 08:54 works within a stylized presentation that endeavours to make evident a worlding in conflict with nature. Slowing down eight minutes and fifty-four seconds of high-speed film by a factor of eleven produced this one hour film. Stripped of sound, it presents a… Read More

dear miami 8:02

dear miami 8:02 dear miami 8:02 A paper sculpture of a carousel horse burned in slow motion; distorted and augmented audio sourced from Dear Miami by Roísín Murphy. ABOVE dear miami 8:02 Cut paper, glue. Slow motion video 3:07 minutes Size dependent on projection space 2017 A high frame rate recording of a burning carousel… Read More

sham–real shadows 2.0

sham–real shadows 2.0 sham–real shadows 2.0 A laser cut mdf cube, cut in negative of a flatten acanthus leaves historical wallpaper design by William Morris. Lit from within, the pattern pushes forward in positive onto all nearby surfaces. Version 2.0 features a dichroic micro-prism interior box that causes the colours of the cube to shift… Read More

Carousel (Dear Miami)

Carousel (Dear Miami) Trevor Van den Eijnden Acrylics, and silver on canvas 91 x 91 cm 2009–2012 Carousel (Dear Miami) presents a fictionalized and romanticized space and place that I was not fully consciously aware of while making the work. Inspiration sprang from a literal reading of the lyrics of Roísín Murphy’s 2007 song Dear Miami, with two stanzas standing out for… Read More