Trevor Van den Eijnden Trevor Van den Eijnden

the relics

the relics the relics An ongoing series of sculptural works presented inside infinity cubes presenting a patterning thinning out into a dark black horizon. The cubes are a phenomenological experience as they present a space that is bigger on the inside, while inviting the audience to spend more time within a focus on unusual objects… Read More

the intervals

the intervals intervals Text exploring environmental and personal grief. ABOVE the intervals Trevor Van den Eijnden 2020 Reflective vinyl, installation 19.5 metres x 1 cm (64 feet x 0.4 inches) From a soul is not made of atoms; exhibition installation, The Reach Gallery + Museum interval i: creationism by any other name interval ii: there… Read More

a salve for grief

a salve for grief a salve for grief Micro-prism dichroic acrylic laid flush into birch panels painted with vanta black, and light from behind. The text changes colour depending on the angle of view—a metaphor for the shifting understanding of the text from which the words are drawn: journals and notes processing different forms of… Read More

sham–real shadows

sham–real shadows sham–real shadows A laser cut mdf cube, cut in negative of a flatten acanthus leaves historical wallpaper design by William Morris. Lit from within, the pattern pushes forward in positive onto all nearby surfaces, crafting shadowpaper that falls on the surfaces of the space including the viewer. ABOVE sham–real shadows Trevor Van den… Read More

super saturates

super saturates super saturates A series of manipulated photographs exploring evidence of future climate impacts based on 500 years of landscape painting in and around volcanic events. in a pink mist Trevor Van den Eijnden
2020 c-print on acrylic 60x40 inches From a soul is not made of atoms; text by curator Dr. Adrienne Fast “Van… Read More

ecumenopolis ii

ecumenopolis ii ecumenopolis ii An exploration of urban spaces as patterning—an outward march of repetition; a future banality. Crafted from urban photographs with corrected perspectives and interlocking features, then digitally wrapped onto a globe and recorded from within, looking out. 2018 ABOVE ecumenopolis ii Trevor Van den Eijnden Select videos from an indeterminate series 2016–2018… Read More

ecumenopolis i

ecumenopolis i ecumenopolis i An exploration of urban spaces as patterning—an outward march of repetition; a future banality. Crafted from urban photographs with corrected perspectives and interlocking features. The series is ongoing, 2015–present. ABOVE ecumenopolis: art deco i Trevor Van den Eijnden 2018 Digital file Size dependent on projection area Filter CategoriesAll Read More

the 23 intervals

the 23 intervals the 23 intervals Information graphic tracking shifts in environmental, social, and economic knowledge and their implied connection to the myriad ways in which we design our world. ABOVE the 23 intervals Trevor Van den Eijnden 2014–ongoing Digital file 91 x 91 cm (35.8 x 35.8 inches) From sham–real shadows; text by Trevor… Read More

familiar strangers

familiar strangers familiar strangers A series of laser and scalpel cut historical naturalist wallpapers marking shifting interpretations and relationships to nature brought home by way of into the home. Each 10.2x10.2x10.2 cm (4x4x4 inch) cube functions as a negative that produces a fleeting photic positive image when engaged with by an audience. ABOVE Interval 10:… Read More

shored lines: waterside

shored lines shored-lines Based off of NASA ocean-level predictive models archived during the 45th presidency in the United States of America, shored-lines is a series of laser cut birch and black paper bookworks that renders difficult to fathom flash points of global ocean level rises and puts them into the readers hands. ABOVE shored lines:… Read More